For venues, festivals & brand stages
A stage moment nobody has seen — with a spec sheet.
Sinestesia paints one picture from a live vocal, growing across the whole song, on your screen behind the act. Twenty-minute soundcheck. One operator. Nothing for your crew to learn.
Bookable as an act or a layer
Runs behind your headliner, or as its own billed set with a resident singer.
Built for phones in the dark
High contrast, slow movement, legible from the back. It films well, which is the actual test.
The room takes something home
A code on the projection at the end of the song. One scan, one free print of that exact performance.
Fails soft
If the network drops, the painting keeps going on local render. If the machine dies, the last frame holds.
The technical rider, short version
Everything below is what we ask of the house. Full PDF rider and insurance on request.
| Item | House provides | We bring |
|---|---|---|
| Audio | Stereo feed off FOH — XLR or DI, line level | Interface, cables, spare |
| Display | Projector or LED wall, 1920×1080 minimum, HDMI or SDI at the operator position | Scaler, HDMI run, EDID fix |
| Power | Two standard sockets at the operator position | Distro, UPS |
| Network | Wired uplink preferred, not required | Router with LTE failover |
| Crew | One LD or A/V contact for load-in and check | One operator for the full show |
| Space | 1m × 1m table, FOH or side stage, sightline to the screen | Everything on the table |
| Time | 45 min load-in, 20 min check before doors | Out in 20 min |
SCROLL THE TABLE SIDEWAYS ON A PHONE
Placeholder — fill after the first booked run
Rooms it has run in
Three slots: venue name, capacity, one measured number (scans per head, or posts tagged). No numbers here until they are real and ours to publish.
VENUE · CAP · METRIC
VENUE · CAP · METRIC
VENUE · CAP · METRIC
What production asks first
Does it take control away from our LD?
No. It owns one output — the screen behind the act. House lights, haze and everything else stay on your desk. We can blackout on your cue at any point.
What happens if the internet drops mid-song?
The painting keeps rendering locally. Only the keepsake step needs a connection, and that can complete after the set.
Do you need the setlist in advance?
Helpful, not required. We ask for reference tracks so the palette is agreed before the show.
Is there anything the audience has to install?
No app. A camera and a browser. The print is free to them.
Can we brand it for an activation?
Yes — palette, aspect ratio and the end card can follow a brand guide. The composition still comes from the performance.
What are you not good at?
Fast cue-heavy sets with a song every two minutes, and stages with no dedicated screen. Both make the painting hard to read.